Friday 29 March 2013

Night of the living dead directed by George A. Romero – A Film Review


Few films can be said to be truly influential, never mind influencing the creation of a whole new film subgenre. George Romero’s 1968 classic stands up even to this day as a gritty and wildly inventive horror movie. Even now others still hold a debt of gratitude to this work including such acclaimed works as Edgar Wright’s Shaun Of The Dead (2004), or even the Robert Kirkman comic series The Walking Dead (2003 – present) and it’s subsequent television adaption (2010- present) of the same name.

Overall, Night of the Living Dead has quite a simplistic plot really. The story follows a young woman visiting the grave of her father with her brother. However when they are mysteriously attacked in the cemetery, Barbra is forced to flee on her own. Eventually she stops at an old farmhouse, which seems abandoned. There she meets a group of survivors who are eventually trapped by a group of creatures outside and they attempt to think of ways to escape.

With the zombies aside, the film in its execution of exposition and character development is in fact rather subtle. The acting is held back and realistic with characters carefully assessing their situation. There is no over the top screaming or shouting that seems out of place. Yet even though there is one point where the character of Barbra is in a state of shock because her brother is missing that borders on being hammy, in reflection, considering what is going on she would be perfectly entitled to be in such a state of hysteria.

Another important thing to mention is how such small developments really help the film. The news reports that the characters watch on television are serious and have an unexpected feeling of realism to them. The images of the rednecks walking across the country in vast groups speak well to the reality of American gun culture. The point being that it makes you believe and invest in what it’s trying to show you through it’s references to the real world and how such a horror may be dealt with in reality.

With this it is also important to mention that the creatures themselves have a certain nightmarish quality to them. Zombies are the animated bodies of the dead that feed on the living. They walk and stumble in a manner that taken out of context could seem quite humorous, yet this is never the case. The reason being that no matter how slow they are, no matter how clumsy or irregular their movements may seem, they are always a threat to the protagonists.  It isn’t the way they look that is so frightening about the creatures in this horror film. There's no Frankenstein’s monster and at a distance they could be mistaken for humans (as they are in fact by Barbra and her brother early on in the movie). They are simply led by instinct, they have no thoughts or abilities to reason – they simply consume.

And above all that is what makes them so scary. Perhaps that is what makes the entire film so scary. There are no recognizable film stars here, no one to root for simply because of their name or face. This film is only characters and more to the point, people; regular people with families, a young couple and two other young adults alone in the group, and they have to come up solutions. Yet in the end it’s their petty squabbling that gets most of them killed. Selfish decisions combined with their unreasonable attitudes lead each of these characters to their fates.

The only figure here that could be described in any way as heroic is the African American character of Ben, but even a search and rescue party of rednecks shoots him in the end. Much has been made of this and it’s reference to American racisms at the time of the civil rights movement. As the same similarities were pointed out between the grotesque and gruesome images of the film and the news footage of the war in Vietnam – with both also being filmed in a similar rugged and granny black and white style. Whether these things were intentional conscious decisions or subconscious, or even coincidental is up for debate, but it is hard to deny these similarities.

Every time you go back to a work of art there is something that usually comes to mind and hits you in the same way that reminds you of your first viewing. That unique feeling that it gave and continues to give you that brings you back again and again. For me, that moment is the end of this film. When Ben is killed there is a powerful feeling of injustice. You really feel sickened by what has happened to a character that we have grown to care about. But it doesn’t stop there. We are then shown after his death the hideous treatment of his body as he is tossed around like a piece of furniture. All of this is done strangely enough through a series of stills, which really forces you as a viewer to pay attention to what is happening in front of you. Again, the stills in your mind give you another layer of realism where in which, if we can see these actions happening before us, then maybe it really did happen. Of course it didn’t, but in the same way a nightmare is horrifying whilst you are experiencing it, Night of the Living Dead brings about a similar emotional intensity in it’s viewer.

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