In the nineteen eighties
John Hughes created some of the most definitive films for the teenagers of that
decade. Films like Sixteen Candles (1984), Weird Science (1985), Pretty in
Pink (1986), Ferris Bueller’s Day Off (1986), and the subject of this film
review The Breakfast Club (1986) helped to play out issues of young people and
in the end helped to define their very opinions.
Yet I was not born to
this generation. In fact I wasn’t born until nineteen ninety one so I never
grew up relating to these films in the same way other generations may have
done. To reveal more on this, it wasn’t until my twenties that I actually first
saw any of these movies. So unlike many others, I don’t have any kind of
nostalgic bias to this material. This also means that I don’t really share the
same kind of cultural compass that many who viewed these films at the time of
their releases would have.
The basic premise of the
film involves five pupils who have for varying reasons been put into a special
detention class on a Saturday as punishment for their behavior. Each of them fulfills
a specific stereotype of teenagers within an American high school (or any social
environment for that matter) of the time. One is a jock / tough guy, another is
a prom queen / popular girl, another’s a nerd / conformist and there’s also a criminal
/ rebel and basket case or introvert.
It’s true that like each
of them, when we first meet the pupils we view them in these same terms;
through the same social stereotypes. Yet as the film progresses and they as
characters get to know each other better a strong bond begins to form between
them. Each of them has their own social problems and unique perspective based
on the experiences they’ve had. They all discuss in this time the relation
between their parents and how that has influenced who they are. It’s during
this time that you really begin to notice how they all share a bond in the fact
that each of their personalities are formed in someway as a form of submission
or rejection of what their parents have taught them. And, the way they
inherently react to others is to a degree a reflection on this.
In terms of the films
presentation it is really well shot with the majority of the action taking
place in one location. The cinematography itself is quite minimalistic in terms
of camera movement or elaborate setups. In fact for most of the film the camera
is static, which allows us to fully engage the subjects and actors being
presented before us without being distracted.
There are many standout
performances here, well, to be honest; the film is kind of filled with them.
All of the young actors completely pull off their characters and there isn’t
anything in sight that pulls you out of any of their performances. Also a
keynote to be made here is that none of the characters come across as cheesy or
clichéd in their presentation to the audience. Instead they come across as
genuine people with mixed emotions and engaging backstories that have a real
influence on who they are.
In many ways this film
is completely unlike any other high school movie ever made. The film at times
comes across like a group psychology session in which everyone is discussing
his or her problems, and in many ways I think this is one of the reasons why it
is so interesting. We begin to see the posturing that each of them does at the
start of the movie be slowly chipped away over time, as we begin to see their
true raw emotions.
There are no real
detriments to the film. Its weakest aspect is that it has a few eighties songs
play throughout which to a small extent ages the film. But overall the film
feels as fresh today as it would have when it was released. It’s really quite unusual to see
such strong writing in a teen drama. As a lot of them often try to
sell themselves on a concept of wacky adventures or moving to a new school, where character development on any real endearing level is usually left by the way side. The premise of The Breakfast Club however, forces these kids to talk with
one another when they are stuck in a classroom together on a Saturday. They are
forced to engage with these other people who they don’t know and through this
they learn a lot about each other and some of them learning more about themselves.
For many people this
film would have changed how they look at the medium itself. The fact that you
could have a whole film based around people just discussing their lives and
issues is something that you don’t see that often in American cinema. Aiming
for a young audience and not dumbing down the material but talking to them as
adults was a smart decision. To many films are created in a way that is too simplistic for younger
audiences and this stands as an example of how you can make a smart film for them and
have it still be successful. The reason being that this film never tried to
talk down to its audience, instead it attempted to genuinely talk to them.
Which is something all in itself quite refreshing.
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