Monday 20 October 2014

Total Recall: My Unbelievably True Life Story (2012) by Arnold Schwarzenegger – A Book Review


It’s rather a rarity in my case for me to pick up (or even gloss over) an autobiography. Yet there was something about this book that tempted me to it. Something strangely intriguing, and admirable much like the author’s many on screen personas.

Arnold Schwarzenegger has always divided opinion. Some view his work as tactless and wooden, brutish and annoying, even stiff or shallow. Whereas others mention his bizarre charisma, the way he is able to stand and mesmerize on screen, or how he embodies the American dream, of a young Austrian who through his own tact and determination became a self made man.

I myself of course, have my own opinion. I’ve always enjoyed his on screen roles. Even from a young age I can remember watching his performances in the first two Terminator movies and being mesmerized by a man who, through his physical presence, was able to convince me he was a machine. Even taking into account his more comedic roles, I think it shouldn’t be doubted that from his performances in Terminator (1984) and Terminator 2 (1991) that Schwarzenegger is a talented actor who can well and truly embody a role.

But to be fair, this book isn’t about Arnold Schwarzenegger the actor – it’s about Arnold Schwarzenegger the man. Who is he? Where did he come from? And what happened in-between? These are all reasons that would usually put me off reading an autobiography. But it’s Arnold, and there is just something so unique about him, his charisma and his personality that just draws me in.

The book itself is split into three sections, covering the three main passions of Arnold’s life: bodybuilding, acting and politics – with each covering roughly a third of the books length.

In the first third, the narrative is able to grab and engage you in a subject that’s considered quite fringed in the subject of bodybuilding. Yet from Arnold’s perspective he is able to ground us on his level. Through his telling of the story, we are able to understand his passion and love for the sport of bodybuilding. This energy and enthusiasm flows through the reader as you read about his struggles and triumphs, and ultimately we empathies with his desire and determination to succeed.

When later in the book we reach his recollection of his acting career he is honest about his goals and determination to where he wanted to be. We see how many people in Hollywood didn’t take him seriously, and how through being tactful in choosing roles that worked to his strengths and personality, he was able to achieve those aims.

Not to say that Schwarzenegger didn’t put in the necessary effort to study and perfect his craft. Arnold made a strong effort to learn from everyone he could to improve his performance. Whether from acting teachers, fellow actors or members of the production crew, he made it his goal to learn from those who could (and were willing) to make his performances better. Not only that, but he would also pay attention to audience reactions and made a direct effort to understand particular box office trends.

The book tells of Arnold’s business skills and studying throughout. He see’s himself as a self-made man and in particular, he discusses how he pushed himself to learn and succeed in numerous ventures. He’s someone who doesn’t hold back on his dreams and in the third section we are told how and why this lead him into politics. Arnold is a large personality with a strong sense of morals, and he explains how he wasn’t afraid to go off party line to do what he thought was right.

Like the rest of the book, the section on politics is interesting, but I think in realty this has more to do with Schwarzenegger’s personality shining through than the political content being exposited. Because of this, I’m not really sure how well this book would come across to others. For myself, the most interesting autobiographies are often those where the story being told shines through. The sense of engagement with the narrative and what is going on as you read the pages should pull you in a way that you feel as though you are almost an accomplice to the story. And yet with this book it’s not necessarily because of the content, but more through the charisma of the narrator that the story continues to be engaging. Less the story, and more the man telling it that makes it what it is.

That isn’t to say it’s a bad story, it’s an interesting one at that; it’s just to say that it might not live up to what some people would probably expect.


(I myself on the other hand, really liked it.)

Pumping Iron (1977) Directed by Robert Fiore & George Butler – A Film Review


It seems strange to me that a documentary about a sport of which I have never had much interest could be so engaging throughout. But in a way Pumping Iron (1977) isn’t so much about the competition itself, as it is about those who compete: people like Mike Katz, Lou Ferrigno, Franco Columbu, and of course, Arnold Schwarzenegger. 

The documentary might be a Hollywood drama, as each of the key bodybuilders is given a backstory and the correct time to tell it to the camera. You have the middle-aged man trying to step up to the big-time (Mike Katz), the young up and comer (Lou Ferrigno), and the king of the mountain (Schwarzenegger). Each has their own needs and reasons for doing what they do. In many ways you’d expect this to be clichéd or trite in its presentation, but one of the things that sticks out about the documentary is the genuine sincerity that each participant brings to the film.

No one in particular stands out as a good guy or bad guy, and everyone appears genuine. They discuss their passions freely and many larger than life personalities shine through. Some of them are show offs; others are more down to earth and sincere.

In the second half, the film transitions to the story of Arnold vs. Ferrigno; champion vs. challenger. We hear both sides of the story as we cross cut between each of their preparations for the Mr. Olympia event. We see the struggles, we see their pain and eventually as the two meet, we see some mind games at play.

Overall, the documentary is well shot in a kind of cinema vérité style. Many shots are static and help the audience focus on the events being shown to us, however others feature a zoom lens in stylized motion, which at times felt unnecessary. Yet, it would be unfair to suggest these stylistic choices didn’t add some charm to the overall presentation. At times the zooming helped highlight the pace and action that the filmmakers were going for, although I think this only worked to a certain degree.

Those looking for a documentary on the intricacies of the sport of bodybuilding might be disappointed by this work. But those interested in the psychology and mindset of these athletes will be pleasantly surprised by this intricate and genuinely endearing document of their work.